• We Could Be Arsonists
  • Theresa Andersson

Blouse Turns The Everyday Into A “Ghost Dream”

Blouse1 Blouse Turns The Everyday Into A Ghost DreamA Portland, Oregon trio crafting ethereal yet driving electronic pop, Blouse feature Charlie Hilton, Patrick Adams, and Jacob Portrait. Hilton, whose aloof vocals give Blouse an otherworldly quality, met Adams in art school during the summer of 2010; after making a few home recordings together, they connected with Portrait and began laying down tracks in his warehouse studio. This version of the group posted some songs on its Bandcamp page, and by early 2011 was signed to the moody Brooklyn-based label Captured Tracks. That year Blouse also released a slew of singles, including their debut 7″ Into Black/Firestarter that March and the Sub Pop release Shadow that May. That November, Blouse’s self-titled debut arrived, along with the singles Videotapes and Time Travel, and the album was named one of the Outstanding 2011 Albums You Might Have Missed by Amazon.com. The video for “Ghost Dream” is a surreal virtual reality tour of the ordinary. Uninhabited by anything but ghosts and dreams

Blouse – “Ghost Dream”

AU Blurs The Lines In “OJ”

AU AU Blurs The Lines In OJBoth Lights hit me like a wave. I walked right into it, eyes open. The music writer Bob Palmer once described “a fusion of music and poetry accomplished at a very high emotional temperature.” He called it “a gigantic field of feeling…something enduring, something that could be limitless.” Palmer was talking about the Blues. But all I can think about is AU.

Like all waves, it keeps on coming. AU’s third album, Both Lights, is a recurring dream. Eleven songs made by the Portland, Oregon-based duo Luke Wyland and Dana Valatka, it’s a story of Time. Three years to be exact: since their critically-acclaimed 2008 album Verbs and its 2009 EP evolution Versions, there’s been a long exhale. A little defiance of the double-speed countdown of the indie hype clock. And a hell of a lot of living. Turn it on. More than a mere accompaniment, it’s a gleaming mirror. It’s an exaltation, an exhalation, a monument of extreme composition, the child of collaboration and isolation, a preamble to a wild live show, a statue intact in the violent wind of art and commerce, and, simply, a record about love. It’s for itself, and, in being that, it’s an album that can be understood like a person. “It’s the topography of me,” says Wyland. So you follow the coordinates.

The first video off the new album is an optically engaging and tripped-out kaleidoscope of a visual for “OJ.” The video is much like the song it illustrates – frenetic, ethereal and colorful.

AU – “OJ”

Featured Artist: Trace Bundy

Trace Bundy Featured Artist: Trace BundyTrace Bundy must be seen, not just heard. His music is poetry in motion, using harmonics, looping, multiple capos, and his unique banter and stage presence to deliver an unforgettable live concert experience. Listening to his intricate arrangements is one thing, but seeing the fan-dubbed “Acoustic Ninja” play live confounds even the most accomplished music lovers as to how one person can do all that with just two hands and ten fingers.

Born in Austin, MN (you know, where SPAM is made) and raised in the small town of Buena Vista, CO Trace first started playing guitar when he was about 11 or 12 years old.  Trace and his brother Greg both chipped in $5 to buy a $10 acoustic guitar from a guy named Herbie; even though they didn’t know where to start they picked up a guitar magazine and learned how to play a song by Metallica. Not a fan of heavy metal, that was what Trace originally learned to play, on acoustic guitar of course, shortly after, he learned how to play some chords and songs like Johnny B. Goode and various Def Leppard hits.

Because he could never afford lessons everything Trace learned was on his own, learning other people’s songs, making up his own stuff, etc. Trace became very interested in why music sounds good and why different notes and chords seem to work together. This got him very interested in music theory, and he started to figure out the patterns that exist in most music, and started to put names to his discoveries like “Trace’s 7 chord theory”, etc. (later in college he took a basic music theory class and found that all of his discoveries already existed and had big important sounding names). The more music theory he learned, the more he started writing his own songs, trying to incorporate his new discoveries into his music.

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Featured Release: “Trophies”

Apollo Brown Featured Release: TrophiesMay 1st marks the release of an album that is going to be championed by the underground — an album that everyone with a penchant for hard-hitting boom-bap soulful production combined with ill lyricism from one of the most underrated and seldom mentioned MC’s of all time will bump in their Jeep’s after they take out their Masta Ace tapes (or change the song on their iPod). But hopefully, the album will actually get a few of your friends to put down the Wiz Khalifa album they love so much (I said it) and listen to some hip-hop.

This week, Mello Music Group will release the collaboration from the D.I.T.C. Crew veteran rhymer, OC, and Detroit-based producer, Apollo Brown entitled Trophies. The album commands your attention from the jump and is 16 tracks of all-killer-no-filler that will slap you back to when you wore Timbs, army fatigues, and snapbacks (maybe you still do?). OC is in top form, and hasn’t missed a step since his seminal debut Word…Life and Apollo Brown crafts densely layered ‘straight-fire’ beats that will leave your ear drums beat like a one two from Tyson.

 

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Rose Tinted “Moni Mon Ami” Is Julia Holter’s Latest Creation

Julia Holter1 Rose Tinted Moni Mon Ami Is Julia Holters Latest CreationJulia Holter certainly made waves earlier this month with the release of her second album, Ekstasis, which was loved pretty universally. The album is a fairly highly conceptual piece of art, and so is the video for “Moni Mon Amie” in some ways, which interprets the song as a lyrical appeal to the unattainable other, and a conversation that’s being had with oneself. The longing transforms the perception of the everyday, turning each moment into a poetic landscape in which the miniature and the gigantic become interchangeable. The uncluttered video features Holter only but if you’ve listened to her albums you’ll realize that’s quite enough. It plays like a soft focus office romance fantasy in which Holter is a French actress starring in a 1972 Godard film where she portrays a lonely secretary who is about to make a change in her lonesomeness. But, since the song is only a moment in time, we don’t see what the change is. We just know it’s going to happen. The only thing I do know is that, despite their obvious differences, the mundane office setting and the dreamy, other-worldy music are a match made in heaven. Enjoy!

Theresa Andersson’s “Hold On To Me” Is A Flight Of Fancy

Theresa Andersson1 Theresa Anderssons Hold On To Me Is A Flight Of Fancy For the video of “Hold On To Me,” off of Theresa Andersson’s latest album Street Parade, the Scandinavian soul singer went back to what inspired the album in the first place: the iconic parades of Mardi Gras in her adopted hometown of New Orleans. Directed by Petter Ringbom and shot during Mardi Gras, the video features Andersson riding in the parade atop a giant swan float designed by sculptor Jacques Dufforc and renowned puppeteer Arthur Mintz, the mastermind behind the award-winning film Fantastic Mr. Fox. Andersson debuted both the album, and the float, surrounded by a 40-piece band of singers, drummers and horn players as part of the all-female Krewe Of Muses in this year’s Mardi Gras parade. Among the many dazzled spectators, Mardi Gras legend Blaine Kern was most impressed with the spectacle. Kern, who called Theresa’s performance “the most original thing I’ve seen in a long time,” has designed floats for the parade since 1947 and has earned the honorary title of “Mister Mardi Gras”.

The parades of  Mardi Gras season are immersive experiences, even for spectators. The eyes are dazzled by a riot of colors, masks and costumes and streamers in bright green and gold. Marching bands fill the air with thundering drums, joyous brass, and playful woodwinds. Undulating revelers dance through the streets. For a few moments, the senses reel…

Get caught up and carried away below!