Digital Digging: Free Design’s Chris Dedrick

Monday, August 16th, 2010

On Friday August 6th, the sad news came that Chris Dedrick of the soft-pop group The Free Design had passed away. Dedrick was a composer, singer, songwriter, and conductor; heralded by the New York Times and awarded a Genie and multiple Gemini Awards for his scores in film and television. He has also written for Peter Paul & Mary, Simon & Garfunkel, and James Taylor. His scores were featured in films such as The Saddest Music In the World, The Man Who Lost Himself, Alfred Hitchcock Presents, and Million Dollar Babies.

From his website:  Musical trends come and go, especially amidst the rapid-fire atmosphere of contemporary pop culture—but the appeal of a strong melody, creatively arranged and expressively sung, is timeless. Which is why Christopher Dedrick is the subject of as much international acclaim today as when he began making music more than three decades ago. The Toronto-based composer, arranger and conductor has amassed a body of work that encompasses hundreds of works: instrumental, vocal, soundtracks, songs, recordings and performances, all of them the product of an attention to detail and a passion for creativity that has captivated casual listeners and fellow artists alike. Chris’s professional career began in the late ’60s, at the age of 19, as a singer and principal songwriter in sibling vocal group The Free Design. In the midst of perhaps the most creative and competitive climate in pop history, The Free Design produced seven albums between 1967 and 1973 that stand among the most inventive and melodically seductive of their era. Of the group’s hit debut single, “Kites Are Fun,” New York Times critic Alec Wilder wrote: “…It was so fine that I literally wept when I heard it.”

His death is a hard blow for friends, family, and the music and entertainment industries. Luckily, his talents will live on through his music. Give a listen to these Free Design Promotracks to understand Dedrick’s impressive skills:

Kites Are FunThe Free Design
download icon Digital Digging: Free Designs Chris Dedrick “Make The Madness Stop” (mp3)
from “Kites Are Fun”
(Light In The Attic)

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 Digital Digging: Free Designs Chris Dedrick


Sing For Very Important PeopleThe Free Design
download icon Digital Digging: Free Designs Chris Dedrick “Don’t Cry, Baby” (mp3)
from “Sing For Very Important People”
(Light In The Attic)

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 Digital Digging: Free Designs Chris Dedrick


You Could Be Born AgainThe Free Design
download icon Digital Digging: Free Designs Chris Dedrick “A Leaf Has Veins” (mp3)
from “You Could Be Born Again”
(Light In The Attic)

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 Digital Digging: Free Designs Chris Dedrick


Stars / Time / Bubbles / LoveThe Free Design
download icon Digital Digging: Free Designs Chris Dedrick “Bubbles” (mp3)
from “Stars / Time / Bubbles / Love”
(Light In The Attic)

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icon landing page Digital Digging: Free Designs Chris Dedrick More On This Album

 Digital Digging: Free Designs Chris Dedrick

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Digital Digging: Calypso music

Monday, July 26th, 2010

Calypso music is widely associated with the song “Day-O” by Harry Belafonte and although he popularized the genre, his song is actually a watered down version of calypso. Traditionally, calypso is Afro-Caribbean music that was born in Trinidad by the African slaves and French creole workers. What makes calypso special is that it has very global roots. Trinidad was ruled by the British, French, and Spanish which resulted in a fusion of European folk music with African rhythms that make up the calypso sound. Calypso lyrics were used to spread news around Trinidad during World War I, and are therefore very political. However due to forced censorship, the meaning behind the lyrics is artfully hidden. Here at IODA, the wonderful label Spunky Monkey (run by famous DJ Irwin Chusid) has provided us with loads of calypso music. Most notably by Lord Kitchener (one of the most famous and long-lasting calypso singers), The Duke of Iron (the notoriously humorous calypsonian), and Wilmoth Houdini (one of calypso’s great pioneers).  Check these babies out:

calypso Digital Digging: Calypso musicArtist: Lord Kitchener
Title: Calypso Kitch
Label: Radiophone Archives
Genre: Latin : Caribbean
UPC: 032500234005
Territory: World
Release Date: 03.17.09

Lord Kitchener was known as the “Grandmaster” of calypso. By the time of his death, only the Mighty Sparrow and the Roaring Lion had reached a similar level of respect. For over a half century, he was widely admired for his musicianship, compositions, performance ability and overall support for the calypso tradition. On ten occasions he won the “Road March” title (the award for the calypsonian whose song is most frequently played on the streets during Trinidad’s Carnival). For decades, Kitchener remained a favorite calypsonian among steelbands, due to the catchy melodies and harmonic complexity of his compositions. Calypso Kitch is a fine 1966 LP of his humorous, topical, and trenchant calypso observations, recorded during Kitchie’s prime.

calypso2 300x300 Digital Digging: Calypso musicArtist: The Duke of Iron
Title: The Duke of Iron: The Early Sides
Label: Radiophone Archives
Genre: Caribbean : Reggae
UPC: 032509762295
Territory: World
Release Date: 05.15.10

The Duke of Iron (born Cecil Anderson) was a well-known calypsonian, nightclub and concert entertainer, and recording artist from the 1930s through the 1960s. He was renown for his bawdy humor, crisp diction, and confident vocal mannerisms. His clarity in pronouncing English lyrics helped him achieve tremendous popularity with American audiences. In addition to singing, Anderson played cuatro and was an exceptional pianist. This is a collection of his early recordings from the 1930s and ’40s, some with the Caribbean-styled big band Felix & His Krazy Kats. Anderson was a native of Trinidad, and moved with his family to New York in 1923. In the 1930s he was a featured vocalist with Felix & His Krazy Kats. He became a headliner on the New York club scene, which included a ten-month stint at the Village Vanguard in the 1940s. He also participated in the legendary 1946 Calypso At Midnight concerts produced by Alan Lomax at New York’s Town Hall auditorium. Anderson was notorious for humorous, ribald calypsos, like “I Left Her Behind For You,” “Miss Constance,” “The Naughty Fly,” and “The Postman.” During the 1950s and 1960s, he performed at Carnegie Hall, the Apollo Theater in Harlem, and at many leading nightclubs, such as the Village Gate, the Jamaican Room and the Calypso Room. He appeared in the film Calypso Joe in 1957 with Angie Dickinson. He regularly returned to Trinidad to keep up with current trends in calypso, and performed and recorded many annual Carnival hits.

calypso3 Digital Digging: Calypso musicArtist: Wilmoth Houdini
Title: Rum and Coca-Cola
Label: Radiophone Archives
Genre: Caribbean : Reggae
UPC: 032509384565
Territory: World
Release Date: 05.15.10

“The Great Houdini,” like his namesake, was a magician, albeit with words and music. Frederick Wilmoth Hendricks made numerous recordings as “Wilmoth Houdini” (and sometimes as “King Houdini”) from the 1920s through the 1940s. His version of “Rum and Coca-Cola” is often considered the definitive take on this classic tune (later a hit for the Andrews Sisters), and his 1946 composition “Stone Cold Dead in the Market (He Had It Coming)” was a hit for Louis Jordan and Ella Fitzgerald. His 1940s novelty song “Bobby Sox Idol” tries to convince a young singer named Frank Sinatra that he “has the perfect voice to sing calypso.” Houdini was popular in the Caribbean and in New York, where he performed often and lived for many years.

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Digital Digging: These United States

Monday, June 28th, 2010

tUS rooftop ETE 300x199 Digital Digging: These United StatesThese United States is the brainchild of Midwesterner Jesse Elliot. Jesse relocated from the Midwest to Washington D.C. where These United States was born with the help of singer-songwriter David Strackany (aka Paleo). Together the duo -along with around 30 D.C. area musicians- released TUS’s debut album, A Picture Of The Three Of Us At The Gate To The Garden Of Eden. If the album’s title didn’t give it away, Jesse is a big fan of words and doesn’t hesitate to use lots of them (a la Andrew Bird). His songs are full of classic American references such as Mark Twain, Jesse James, and Babe the Blue Ox. While he has received some criticism for his wordy lyrics, Jesse explains to NPR why his songs are the way they are – and why they won’t be changing any time soon: “There’s a lot going on. We have certainly caught much flak for the amount of words and characters that appear in our music. For me, personally, as far as the writing process goes, it’s a way of coping with the serious amount of information that exists in the world these days. Stitching it together in some big, chaotic patchwork is kind of how I make sense of all the pieces that are flying our way and everyone’s way every day.”

A Picture Of The Three Of Us At The Gate To The Garden Of EdenThese United States
download icon Digital Digging: These United States “First Sight” (mp3)
from “A Picture Of The Three Of Us At The Gate To The Garden Of Eden”
(United Interests)

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 Digital Digging: These United States
However, because of the flak Jesse received, TUS’s second album had a much shorter title: Crimes. But don’t be fooled by this reduction: “We decided we’d shorten the title of the second album,” Jesse says, “and then pack twice as many words inside of the album itself.” With Crimes Jesse was backed by a full band made up of Tom Hnatow, Robby Cosenza, Justin Craig, and Colin Kellog. This naturally resulted in a strikingly different sound than that of Picture. Due to the numerous musicians that cycled through Picture, the album successfully encorporated various styles: “Ticking off genres, These United States paint a bold checkmark in the columns of pop, folk, rock, country, jazz, and lounge…and further listens are sure to reveal plenty more.” The music of Crimes is a bit more focused, being described as “One part Rolling Thunder Revue, one part banged-and-bruised balladeering, two parts just plain strange, These United States have their sights set on a rock-and-roll reformation.” No doubt this change had something to do with having a constant band around. Jesse explained to NPR how his surroundings affect his music: “I think a lot of what you’re influenced by at any one particular point in time is maybe dictated by the other people that you’re with. I almost felt myself influenced by different things when I was with David Strackany, as opposed to all these hoodlums.” Together these hoodlums have also released Everything Touches Everything, an album full of  “unbridled rock and roll exuberance.”

Get two more PromoTracks and details on their next full-length after the jump…

(more…)

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Digital Digging: Honoring the Music of Ray Charles

Thursday, June 10th, 2010

Today is the sixth year anniversary of Ray Charles’s death and to honor his brilliant work, we’ve highlighted a few of our favorite albums from the catalog. Check them out and reminisce with his beautiful, soulful  music; he is sincerely missed.

ray charles Digital Digging: Honoring the Music of Ray CharlesArtist: Ray Charles
Title: Blues In A Sentimental Key
Label: Penny
Genre: Blues : Soul
UPC: 5035462111099
Territory: World ex. US & Mexico
Release Date: 02.05.10

ray charles2 Digital Digging: Honoring the Music of Ray CharlesArtist: Ray Charles
Title: Shades of Blues
Label: Penny
Genre: Blues : Easy Listening
UPC: 5035462212192
Territory: World ex. US & Mexico
Release Date: 05.04.10

ray charles3 Digital Digging: Honoring the Music of Ray Charles

Artist: Ray Charles
Title: Blues Express
Label: Orange Leisure
Genre: Blues : Soul
UPC: 5060209403359
Territory: World ex. US & Canada
Release Date: 04.19.10

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Digital Digging: Etoile de Dakar, Youssou N’Dour

Thursday, May 13th, 2010

Etoile de Dakar Digital Digging: Etoile de Dakar, Youssou NDourArtist: Etoile de Dakar, Youssou N’Dour
Title: Once Upon a Time in Senegal – The Birth of Mbalax 1979 – 1981
Label: Sterns
Genre: World : African
UPC: 740042305427
Territory: World
Release Date: 05.10.10

There are not many African artists whose names are as well-known as Youssou N’Dour’s. And it’s not just his ‘7 Seconds’ duet with Neneh Cherry, or his frequent collaborations with Peter Gabriel and others. No, you don’t reach his status just by who you hang out with; you get there by who you are and what you do. On one level the double album of Once Upon A Time In Senegal form a chapter in the story of who Youssou N’Dour is and how he got there. But on another they show him simply as an equal member of a band … a band in the right place at the right time and doing absolutely the right things. As guitarist and sometimes band-leader Badou N’Diaye says, “When a group of people play together and it works, everyone knows what is happening.” That brief but vital moment in time is captured in these 23 tracks selected from the cassettes that Etoile de Dakar recorded between 1979 and 1981. Several have never been released outside of Senegal, and all have been sensitively re-mastered from the earliest available audio source. These are the best sounding recordings of this material available … bar none!

Vocalist Youssou N’Dour is one of the most celebrated African musicians in history. A renowned singer, songwriter, and composer, Youssou’s mix of traditional Senegalese mbalax with eclectic influences ranging from Cuban samba to hip hop, jazz, and soul has won him an international fan base of millions. In the West, Youssou has collaborated with musicians Peter Gabriel, Sting, Alan Stivell, Wyclef Jean, Paul Simon, Bruce Springsteen, Tracy Chapman, Ryuichi Sakamoto, Dido and others. In Senegal, Youssou is a powerful cultural icon actively involved in social issues. In 2004, Rolling Stone described him as, in Senegal and much of Africa, “perhaps the most famous singer alive.”

N’Dour helped develop a style of popular music in Senegal, known by its Wolof language name of mbalax. Mbalax is a blend of the country’s traditional griot percussion and praise-singing with the Afro-Cuban and Haitian kompa arrangements and flavors which made the return trip from the Caribbean to West Africa in the 1940s, 50s, and 60s and have flourished in West Africa ever since. Beginning in the mid-1970s the resulting mix was modernized with a gloss of more complex indigenous Senegalese dance rhythms, roomy and melodic guitar and saxophone solos, chattering talking-drum soliloquies and, on occasion, Sufi-inspired Muslim religious chant. This created a new music which was at turns nostalgic, restrained and stately, or celebratory, explosively syncopated and funky. Younger Senegalese musicians steeped in Jimi Hendrix, Carlos Santana, James Brown, and the whole range of American jazz, soul, and rock music, which Senegal’s cosmopolitan capital, Dakar, had enthusiastically absorbed, were rediscovering their heritage and seeking out traditional performers, particularly singers and talking drummers, to join their bands. (The griots—musicians, praise-singers and storyteller-historians—comprise a distinct hereditary caste in Wolof society and throughout West Africa.) As it emerged from this period of fruitful musical turbulence, mbalax would eventually find in Youssou N’Dour the performer who has arguably had more to do with its shaping than any other individual.

Check out Once Upon A Time In Senegal to see where Youssou and Etoile De Dakar and how the phenomenon of mbalax began!

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Digital Digging: Eduard Khil

Thursday, April 22nd, 2010

Eduard Khil Digital Digging: Eduard KhilArtist: Eduard Khil
Title: I am very glad, because I’m finally returning back home (Trololo)
Label: Megaliner Records
Genre: Pop : Pop
UPC: 4607087287544
Territory: World
Release Date: 04.13.10

The people demanded it, so here it is: The Trololo song in its entirety for your audio pleasure! That’s right folks, the YouTube sensation with 1,300,000 views and rising is prepped for digital distribution courtesy of yours truly. Actually titled “Я очень рад, ведь я, наконец, возвращаюсь домой”, which translates as “I am very glad, because I’m finally returning back home,” the Trololo song has been certified as viral. The song itself was written by Arkady Ostrovsky, and performed by Eduard Khil, a Soviet-Russian baritone singer and a recipient of the People’s Artist Award of the RSFSR. In 2009, a 1976 video of Khil singing a non-lexical vocable version of the song was uploaded to YouTube, and quickly became an Internet meme, known as “Trololololololololololo” or “Trololo,” giving Khil the nickname “Mr. Trololo” or “Trololo Man.” It first appeared on some sites beginning on February 21, 2010, and gained prominence on March 3 during a segment on The Colbert Report and was also parodied by actor Christoph Waltz on Jimmy Kimmel Live!.

Here’s the original YouTube video for you to LOL to … or Trololo to … well, you get the idea:

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Digital Digging: Celebrating 50 Years of Independence in Senegal

Wednesday, April 7th, 2010

In January of 1959, Senegal merged with the French Sudan, forming the Mali Federation, which became fully independent from French rule on the 20th of June, 1960. Soon after, France signed a transfer of power agreement signed on April 4th, 1960, fully liberating Senegal and Sudan (who later split into separate countries). This past weekend marked the bi-centennial celebration of the country’s independence and was celebrated with three days of festivities. The country was ablaze with visits from American delegates led by Reverend Jessie Jackson Jr., Randy Weston and other leading artists, as well as intellectuals, politicians, executives of major Africa focused NGO’s, and others.

To congratulate and celebrate Senegal on the 50th anniversary of their independence, we’ve lined up some great releases featuring some of Senegal’s finest musical acts; after all, what’s a celebration without music? Some of these artists have served as ambassadors for their country, as they are national heroes and cultural icons. Included is the Rough Guide to West African Gold, an excellent primer on music stemming from Africa’s western region (check out the fantastic Orchestre Baobab and Star Band Number One, both Senegalese), a best-of from Ismaël Lô (nicknamed the African Bob Dylan for his simultaneous use of harmonica and guitar), and a release featuring two of Senegal’s best-loved female singers Kine Lam and Soda Mama of the high powered mbalax genre which rose into prominence in the late 80’s.

The Rough Guide To West African Gold Digital Digging: Celebrating 50 Years of Independence in SenegalArtist: Various Artists
Title: The Rough Guide To West African Gold
Label: Rough Guides/World Music Network
Genre: World : African
UPC: 605633117325
Territory: Worldwide
Release Date: 04.17.07


Ismaëllô Digital Digging: Celebrating 50 Years of Independence in SenegalArtist: Ismaëllô
Title: African Classics: Ismael Lo
Label: Sheer Sound
Genre: World : African
UPC: 878068000429
Territory: USA, Canada, South Africa
Release Date: 12.13.07
download icon Digital Digging: Celebrating 50 Years of Independence in Senegal “Taar Doucey” (mp3)
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Kine Lam Digital Digging: Celebrating 50 Years of Independence in SenegalArtist: Kine Lam et Soda Mama
Title: Les Lionnes
Label: Syllart Productions
Genre: World : African
UPC: 3307513811220
Territory: USA, Canada, UK, Ireland
Release Date: 02.01.10

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Digital Digging: Chico Buarque

Tuesday, January 26th, 2010

digital digging big Digital Digging: Chico Buarque

281971 72 Digital Digging: Chico BuarqueArtist: Chico Buarque
Title: Chico Buarque de Hollanda
Label: Som Livre
Genre: World
UPC: 7891430121129
Territory: North America, Europe, Australia
Release Date: 02.01.10

A man of many talents, Chico Buarque has gained worldwide notoriety since the 60’s as a singer, guitarist, composter, dramatist, writer, and poet. His music, however, is most securely tied to his name; his bossa nova compositions from Brazil throughout the 60’s were not only smooth and impressive, but also caused controversy as they were charged by social, economic, and cultural commentary on Brazil and Rio de Janeiro. His music was deemed dangerous by the Brazilian military dictatorship of the time which led to his departure along with several of his fellow musicians to leave the country in 1970. Since then he has battled through government censorship in his music, novels and plays, all of which have been critically acclaimed. IODA is proud to present Chico’s 1966 debut, Chico Buarque de Hollanda in its high-quality remaster from the fantastic Som Livre label.

The album is a polished presentation of Chico’s ear-catching debut: a mix of bossa nova, jazz, and big band, all lined with his distinct, charming vocal style. The whole album features his flamenco style finger picking on the guitar, touches of horn sections, upright bass, flute, and Latin instrumentation.  His lyrics also stand out: during Brazil’s military coup d’état of 1964, Buarque wrote about the events which transpired and avoided censorship by using cryptic analogies and wordplay. For example, in the song “Cálice” (“Chalice”, or Jesus’ Last Supper “Cup”) he takes advantage of the homophony between the Portuguese imperative “shut your mouth” –cale-se– and “chalice” –cálice– to protest censorship against freedom of speech by the dictatorship, disguised as the Gospel narrative of Jesus’ Gethsemani prayer to the Father to pass from Him the chalice of bloody death probation. He is clearly a master of wordplay as well as musical composition.  His beloved classics “A Banda”, “A Rita” and “Sonho de Um Carnaval” are all included.

Fans of Seu Jorge will find a comfortable fit with Chico’s laid back, sunny Latin style. This is classic, classy, and musically advanced. Perfect for everything from cocktail parties to homework music to something to just relax too.

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