Digital Digging: Electric Wizard

Tuesday, November 9th, 2010

By: Mike Madavi
l c3e0069f2c0edf96ad4142db1ec55870 300x199 Digital Digging: Electric Wizard

What does it take to get billed as the heaviest band in the universe? A few things, to be sure. First, volume like no other has pushed before. Second, bad-ass riffs that sound like planets smashing into each other in the early 1970’s. Third, references to all-things-evil like cults, witchcraft, horror films, and even H.P. Lovecraft. I’d also argue to pull this all off, you need to somehow show people that you’re not taking yourself too seriously/a black metal nerd (sorry black metal nerds…). In the case of today’s reigning heavyweight doom champions, Electric Wizard, that tongue-in-cheek element derives from blatant, unabashed references to none other than the devil’s lettuce, cannabis. They’ve built a career that spans over decades, back to the genre’s sophomore stage (just after the firsts, but before the copycats), relying on everything listed above: volume, riffs, and well-selected subject matter. Call it doom, stoner, sludge, or whatever other coined genre term that references general down-tempo’ed metal that places emphasis on achieving newfound levels of heaviness rather than technicality or shredding.; if you like that stuff, you already know that Electric Wizard is the heaviest band on the planet. The Dorset, UK four-piece has just returned to bring you their latest, fantastic new record, Black Masses, out now on Rise Above Records.

If you’re a doom fan, you’re probably also a gear nerd, constantly checking on message boards and forums to find out how the masters of this notoriously heavy genre conjure up such elusive and earth shaking tones. The answer, more often than not, tends to be vintage (sweet, sweet vintage) amplification; everyone from legendary acts like Sleep and Kyuss all the way the way to more modern incarnations like Sun O))) rely on off-the-beaten path equipment that some might call unreasonable, outdated, or even (is there such a thing?) overkill. Simply put, if you want the tone, you need the gear and you need to play it really damn loud. This has become a prerequisite for the genre’s top acts, but Electric Wizard has taken the idea even further, recording Black Masses (and their 2007 record Witchcult Today), on entirely vintage analog equipment. They’ve gone further than just finding the Laney amp Tony Iommi used to record Black Sabbath’s now-canonized Masters of Reality album; they’ve tracked down the equipment used at the time of Masters’ recording to authenticate even more. The result is a record that sounds like the band traveled back in time and released what was to come on period correct technology.

As far as the songs go, nothing has lost any bit of heaviness over the years. Wizard has seen its share of adversity over time, with personnel changes occurring fairly often around mainstay guitarist and vocalist Jus Oborn, and even injuries including broken bones, severed finger-tips (just like Iommi; how far is too far?), and even exploded ear-drums. That’s dedication to heaviness that you’re not going to find anywhere else. Black Masses is noticeably faster in tempo than Electric Wizard’s beloved earlier work, especially their definitive opus, Dopethrone. However, the heaviness they’re known for is kept in tact through advanced song structure, well formulated (and even more bad-ass) riffs, and a serious nod to classic rock. In all honesty, I think this was a smart move; the formula to achieve ridiculous heaviness from a sluggish pace with deafening volume has been established. In the same manner that shredding became a matter of out-doing the latest extreme, doom seemed to be (ahem) doomed to head towards becoming a contest to see who could get the loudest and slowest. Without having to worry about how slow their tempos are, Electric Wizard is able to refocus on creating those riffs that make your ears perk up and your neck impulsively begin to headbang. Black Masses isn’t a rehashing of the old formula; it’s an assessment and re-focusing to what makes the genre great. 

Black Masses  Digital Digging: Electric WizardArtist: Electric Wizard
Title: Black Masses
Label: Rise Above Records
Genre: Metal : Downtempo
UPC: 803341332294
Territory: Worldwide
Release Date: 11.01.10


Witchcult Today Digital Digging: Electric WizardArtist: Electric Wizard
Title: Witchcult Today
Label: Rise Above Records
Genre: Hard Rock : Metal
UPC: 803341229822 
Territory: World Ex. USA and Canada
Release Date: 11.12.07


dopethrone Digital Digging: Electric WizardArtist: Electric Wizard
Title: Dopethrone (Remaster)
Label: Rise Above Records
Genre: Rock : Rock
UPC: 803341226357
Territory: World Ex. USA
Release Date: 05.01.06

Digital Digging: Procol Harum

Tuesday, November 2nd, 2010

Procol+Harum+procolharum1 300x263 Digital Digging: Procol HarumIf you’re a younger music fan, chances are you probably don’t recognize their unusual name but I guarantee you’ve heard Procol Harum’s gigantic smash 1967 single, “A Whiter Shade of Pale.” It is often cited as the song that truly summed up the feeling of being in 67’; everything from the song’s iconic opening organ line to its psychedelic lyrics and triumphant chorus embodies the experimental era’s changes, clashes, and freedom. The track went #1 in the UK, #1 in Australia (for a record 8 weeks), and #5 in the US; it’s still a staple of classic rock radio everywhere.

Needless to say, the single was a hard act to follow. One can only imagine the pressure mounted on a band with such a strong debut. Harum turned out 8 other albums besides their self-titled debut during their initial run from the 60’s till the mid 70’s which have found cult success and critical praise over time. IODA is proud to announce the digital distribution of a number of those beloved albums, all of which showcase Procol Harum’s musical spread; they’re most strongly remembered for their unique mix of classical melody and arrangement with the rocking psychedelics of the time.

The original band was formed in the aftermath of a previous project called The Paramounts by Gary Brooker, adding on lyricist Keith Reid, Hammond organist Matthew Fisher, guitarists Ray Royer (later Robin Trower), and bassist David Knights. The band was named after a friend of their manager’s Burmese cat and can be roughly translated in Latin to something like “beyond these things” or possibly “of these far off things.” They recorded “A Whiter Shade of Pale” at Olympic Studios with session drummer Bill Eyden in 1967. The song had a structure that recalled Baroque music, Brooker’s soulful vocals, and Reid’s mysterious, psychedelic lyrics. It was on all accounts a smash hit and the band set out on their first tour opening from Jimi Hendrix. The group’s follow-up single, “Homburg”, with a line-up change of former Paramounts B.J. Wilson on drums and Robin Trower on guitar, reached #6 in the UK, but was not a hit in the US.

Their self-titled debut album was recorded soon between the two hit singles, but was held back until early 1968. A series of singles charted lowly in the US and UK, though rarely both at the same time. A Salty Dog (1969) was popular among fans, and was their first album to sell well in the UK. The band would keep putting out records till 1977’s Something Magic with a constantly changing lineup that held Brooker in its center. Throughout their 9 records, the group earned a loyal fan base who all found something to love in the eclectic band’s music; some valued the classical influences while others pushed for a harder rock sound. One thing remains certain, their music is continuously marked as the defined start of the classic rock era, and they are often accredited as the godfathers of prog rock.

Here we’ve lined up some fantastic Procol Harum albums from different points in their career, some of which are being reissued with bonus tracks and raw cuts. If you walk beyond their defining single, you’ll find yourself in a world of experimentation, psychadelia, and dedicated songcraft.

Procols Ninth Digital Digging: Procol HarumArtist: Procol Harum
Title: Procol’s Ninth
Label: Union Square Music
Genre: Rock : Rock
UPC: 0698458354587
Territory: USA and Canada
Release Date: 11.01.10


Exotic Birds And Fruit Digital Digging: Procol HarumArtist: Procol Harum
Title: Exotic Birds And Fruit
Label: Union Square Music
Genre: Rock : Rock
UPC: 0698458354488
Territory: USA and Canada
Release Date: 11.01.10


Something Magic Digital Digging: Procol HarumArtist: Procol Harum
Title: Something Magic
Label: Union Square Music
Genre: Rock : Rock
UPC: 0698458354686
Territory: USA and Canada
Release Date: 11.01.10


Grand Hotel Digital Digging: Procol HarumArtist: Procol Harum
Title: Grand Hotel
Label: Union Square Music
Genre: Rock : Rock
UPC: 0698458354389
Territory: USA and Canada
Release Date: 11.01.10

Digital Digging: Birds & Batteries

Monday, October 18th, 2010

285445 72 Digital Digging: Birds & BatteriesArtist: Birds & Batteries
Title: Up To No Good
Label: Eightmaps
Genre: Indie : Funk
UPC: 844185061971
Territory: World
Release Date: 10.26.09

Birds & Batteries is the experimental indie-pop of Michael Sempert with Christopher Walsh (guitar and pedal steel), Jill Heinke (bass, synth and percussion) and Brian Michelson (drums, percussion and samples). Ranging from synth-based dance music to Americana, the band loosens the bonds of genre to reveal the basic element of a well-crafted song. Their music is deeply influenced by the rock, funk and soul music of the 70′s but is often accented by the blips and boops of contemporary electronic music. This juxtaposition allows for a sound and aesthetic that is at once familiar, surprising and completely unique to the Birds & Batteries catalog. Song topics are frequently centered around the entanglements of city and country, technology and nature, and the various selves we occupy in a lifetime.

After years of flying largely under the radar B & B are starting to get some great attention with their new LP Panorama. B & B’s unique fusion of rock, soul and electronic gives them a sound that appeals to many listeners. Michael’s warm vocal tone invites listeners into their retro-future world of sounds. After a successful Daytrotter session at the end of last month Panorama has just been released by Spune/Velvet Blue Music and is available now. Check out the video for the title track streaming from Prefix right now.

Grab some great B & B Promotracks including the awesome funkified opener from Up To No Good:

285445 72 Digital Digging: Birds & BatteriesBirds & Batteries
download icon Digital Digging: Birds & Batteries “The Villain” (mp3)
from “Up To No Good”
(Eightmaps)

service icon 4 Digital Digging: Birds & Batteries Buy at iTunes Music Store
service icon 426 Digital Digging: Birds & Batteries Buy at Amazon MP3
icon landing page Digital Digging: Birds & Batteries More On This Album

 Digital Digging: Birds & Batteries


193932 72 Digital Digging: Birds & BatteriesBirds & Batteries
download icon Digital Digging: Birds & Batteries “I’ll Never Sleep Again” (mp3)
from “I’ll Never Sleep Again”
(Birds and Batteries)

service icon 4 Digital Digging: Birds & Batteries Buy at iTunes Music Store
service icon 426 Digital Digging: Birds & Batteries Buy at Amazon MP3
icon landing page Digital Digging: Birds & Batteries More On This Album

 Digital Digging: Birds & Batteries


236870 72 Digital Digging: Birds & BatteriesBirds & Batteries
download icon Digital Digging: Birds & Batteries “TV Commericals” (mp3)
from “Nature vs. Nature”
(Birds and Batteries)

service icon 4 Digital Digging: Birds & Batteries Buy at iTunes Music Store
service icon 426 Digital Digging: Birds & Batteries Buy at Amazon MP3
icon landing page Digital Digging: Birds & Batteries More On This Album

 Digital Digging: Birds & Batteries

Digital Digging: Tom Tom Club

Monday, October 4th, 2010

Tom Tom1 300x234 Digital Digging: Tom Tom ClubIt’s rare when the side project of a seminal, influential group can quite live up to the talent, success, and longetivity of the parent group; the Tom Tom Club are just such a rarity. Formed as a side project to the Talking Heads by TH members Chris Frantz and Tina Weymouth, the group has made a legacy similar to the Heads all on their own. The couple were both graduates from the Rhode Island School of Design when they moved to New York City and ended up starting the Talking Heads as a trio with David Byrne. In early 1981, the Talking Heads took a hiatus after five years of touring and four studio albums, giving the couple time to form the Tom Tom Club. Named after the dancehall in the Bahamas where they rehearsed for the first time while on hiatus from Talking Heads in 1980, Tom Tom Club enjoyed early success in the dance club culture of the early 1980s with the hits “Genius of Love” and “Wordy Rappinghood”, both of which were taken from their self-titled first album and each reached #1 on the Dance charts in 1981. They also broke the UK top-40 chart with a cover version of The Drifter’s “Under the Boardwalk.” The group continues to remain active today and has been widely recognized as a seminal dance/new wave/world music act.

Nacional Records is proud to announce the release of Tom Tom Club’s Genius of Live. The iconic group’s album will feature tracks from the album Live At The Club House as well as remix tributes to the timeless smash hit, “Genius of Love,” from such top artists as Ozomatli, Nortec Collective, Money Mark, and The Pinker Tones, to name a few. “Genius” has become a cult favorite for sampling; it has been reinterpreted by numerous artists including L’Trimm, Redman, Funkdoobiest, Max B, Grandmaster Flash and the Furious Five’s “It’s Nasty,” Dr. Jeckyll & Mr. Hyde’s “Genius Rap,” and Mariah Carey in her hit single “Fantasy.” Live At The Club House was recorded with the group performing at peak energy for a collection of friends in their home studio. It features Tom Tom Club’s effervescent, energetic, and upbeat live show while proving their original fusion of hip hop, reggae, Afrobeat and funk is truly timeless. The album travels the group’s catalog including hits like “Genius Of Love” and “Wordy Rappinghood.” In an effort to turn tragedy into something positive, it was recorded right after the September 11th attacks, drawing from powerful emotions to drive their performance.

Check out Genius of Live and groove to some of the most original and dance-able stuff ever recorded; we’re sure you’ve heard one of the great tunes that the group plays, but here it is live from the source themselves!

Genius of Live Digital Digging: Tom Tom ClubArtist: Tom Tom Club
Title: Genius of Live
Label: Nacional Records
Genre: Alternative : Indie
UPC: 753182542485
Territory: World Ex. US, UK, CA, FR, Mex
Release Date: 09.28.10

Digital Digging: Tribute Compilations

Tuesday, September 28th, 2010

Today we have lined up for you a series of fantastic tribute albums for some trully legendary musicians from our back catalog. Keep an eye out for a Rolling Stones all country tribute coming soon as well!

David Bowie Digital Digging: Tribute CompilationsArtist: Various Artists
Title: We Were So Turned On: A Tribute to David Bowie
Label: Manimal Vinyl Records
Genre: Pop : Alternative
UPC: 5055300317230
Territory: Americas, UK
Release Date: 09.06.10

We Were So Turned On is a charity compilation that pays homage to the man who invented the art of reinvention, David Bowie. The record benefits War Child, a charity that simply helps children affected by war across the globe, and is heavily backed by Bowie himself. Soon after its launch, Devendra Banhart (Megapuss), Vivian Girls and Carla Bruni all came on board to contribute tracks. By the summer of 2009, the record surged with the addition of UK pop legends Duran Duran, ex-Slits Viv Albertine and legendary avant-garde musician Mick Karn. Manimal alumni’s Warpaint, Chairlift, and Edward Sharpe & the Magnetic Zeros soon followed. With a final tracklist that is as diverse as it is chameleon-like, just like the thin-white duke himself, We Were So Turned On has something for every Bowie lover.

Velvet Undergroun Digital Digging: Tribute CompilationsArtist: Various Artists
Title: Unpiecing the Jigsaw – A Tribute to The Velvet Underground
Label: Ozit
Genre: Rock : Alternative
UPC: 811702010422
Territory: World
Release Date: 11.23.09

The fertile music breeding ground of New York City arguably reached its peak in the second half of the 60’s, headed by Bob Dylan on the folk side and a band that achieved nowhere near Dylan’s sales numbers but still generated a tidal wave of influence that only spread and expanded with time, their effect still felt in present day: The Velvet Underground. In their relatively short 4 active years as a core unit, Lou Reed, John Cale, Sterling Morrison, and drummer Maureen Tucker (with, of course, Warhol superstar Nico, and later Doug Yule) created four of the most prolific records ever: The Velvet Underground & Nico (1967), White Light/White Heat (1968), The Velvet Underground (1969), and Loaded (1970). Though internally turbulent with members often clashing (notably the founders Reed and Cale), the group managed to experiment with rock music in ways never before attempted. Unpiecing the Jigsaw – A Tribute to The Velvet Underground, is a collection of excellent Velvet covers from your favorite artists. While there has been covers compilations in the past, Unpiecing the Jigsaw features a collection of the best of the best, assembled in part by Lou Reed himself and also as a deal-sweetener features two rare 1980’s bootlegs of Nico performing her songs from TVU & Nico and a 48 minute interview with Reed himself. This is the most complete and inclusive VU covers compilation to date.

Graham Nash Digital Digging: Tribute CompilationsArtist: Various Artists
Title: Be Yourself – A Tribute to Graham Nash’s “Songs for Beginners”
Label: Grass Roots Records
Genre: Indie : Psychedelic Folk
UPC: 897620001100
Territory: US, Canada
Release Date: 05.25.10

As one part of the legendary Crosby, Stills, and Nash trio, Graham Nash definitely deserves a tribute on the level of Be Yourself – A Tribute to Graham Nash’s “Songs for Beginners.” Out on Grass Roots Records in conjunction with (((folkYEAH!))), the album is a tour de force of current indie-folk artists featuring Bonnie ‘Prince’ Billy, Robin Pecknold (of Fleet Foxes), Brendan Benson (of The Raconteurs), Vetiver, Sleepy Sun, Port O’Brien with The Papercuts, The Moore Brothers and Graham’s own daughter, Nile Nash. All of these contemporary artists have come together to honor and celebrate Graham’s first solo LP, Songs For Beginners. The artists put a unique spin on each song, making it his or her own while also honoring the timeless vibe of the original recordings. From Pitchfork to Rolling Stone many of the indie tastemakers have hailed and provided extensive coverage of the album. Each track is sure to delight and introduce these already epic and timeless songs to a new generation of music lovers

Bob Dylan Digital Digging: Tribute CompilationsArtist: Various Artists
Title: Subterranean Homesick Blues: A Tribute to Bob Dylan’s ‘Bringing It All Back Home
Label: Re-Imagine
Genre: Folk
UPC: 847108085542
Territory: World
Release Date: 10.05.10

Subterranean Home Sick Blues: A Tribute to Bob Dylan’s Bringing It All Back Home, is a tribute to the aforementioned 1965 classic LP (as well as other Dylan songs from that time period). “The 1965 album Bringing It All Back Home comes from Bob Dylan’s transition period, the moment where he was split between the acoustic Greenwich Village folk music of his early records and the divisive electric-guitar folk-rock stuff he’d embrace more fully on Highway 61 Revisited later that year. Bringing It All Back Home has some of the man’s most iconic tracks: ‘Subterranean Homesick Blues,’ ‘Mr. Tambourine Man,’ ‘Maggie’s Farm.’ And even the songs that haven’t appeared on a million soundtracks remain fascinating” (a very accurate description of the album’s importance from Pitchfork). The compilation features some of today’s top artists like the Morning Benders, Peter Morén (Peter Bjorn and John), J. Tillman (Fleet Foxes), Castanets, Asobi Seksu, and Mirah covering the record in its entirety plus some outtake goodies.

Digital Digging: John Stewart

Monday, September 20th, 2010

By: Mike Madavi
johnstew Digital Digging: John Stewart

Despite his auspicious career John Stewart is a musician who often gets overlooked when compared to his collaborators. He had a record that sold over a million US copies, but never received a Gold or Platinum award from the RIAA. He worked with Lindsey Buckingham and Stevie Nicks in the mist of Fleetwood Mac’s rise to fame. Though it’s commonly known The Monkees did not write their gigantic smash single “Daydream Believer,” it’s hardly recognized that Stewart actually wrote it. Besides joining with legendary San Francisco Folk explosion group The Kingston Trio, his only recognized success came in the late 70’s and early 80’s with his solo work. Two of these albums, Bomb Away Dream Babies (1979), and its follow-up, Dream Babies Go Hollywood (1980), have finally been released in a digital format, this time with proper forewarning to music fans everywhere so this legendary songwriter can be deservedly recognized for his important career.

Stewart’s career truly began when he joined The Kingston Trio, who had emerged from the relatively crowded San Francisco folk music culture in 1957, using a mixture of calypso, pop, and folk styles, along with several forms of comedy, in their act. Relying on new pop-oriented arrangements of folk music classics as well as some original compositions, the Trio earned their first gold record with “Tom Dooley” and thereby launched a major revival in folk music that would lead to and influence the careers of Bob Dylan, Peter, Paul, & Mary, and John Denver, among others. The group had become one of the best-known and best-selling acts on the folk music scene, and were enjoying a lucrative recording and touring contract with Capitol Records, having ten albums under their collective belts, when Dave Guard departed the group in 1961 to explore other musical directions. Stewart was selected by the remaining members Nick Reynolds and Bob Shane as Guard’s successor, bringing with him his respected skills as a musician, composer, and performer. The trio would produce a lot of great music in the next few years, but eventually disbanded in the late 60’s with the arrival and musical dominance of the British Invasion.

Stewart continued to write songs and record for Capitol, penning the now-classic “Daydream Believer” for The Monkees, a hit for Anne Murray as well. He later toured with Robert F. Kennedy’s ill-fated 1968 presidential campaign and met and married fellow folk singer Buffy Ford (with whom he remained until his death), and began recording a remarkable string of albums. These include his signature album, California Bloodlines, as well as Willard, Cannons in the Rain, and Wingless Angels. Despite the quality of this music, he would not find any real success again until the end of the 1970’s.

Bomb Away Dream Babies was Stewart’s biggest and arguably only commercial success with his name on it. The single “Gold” became a significant hit, reaching #5 on the charts, followed by “Lost Her in the Sun” and “Midnight Wind.” The Album featured Stevie Nicks and Lindsey Buckingham, who released the extremely successful Rumors in 1977 and their ambitious Tusk in 79’. Today, the album remains unrecognized in its success, having sold over a million albums in the US alone without ever being certified Gold or Platinum.  It’s follow-up, Dream Babies Go Hollywood, was not as successful, but featured a number of significant musicians including Phil Everly (of the Everly Brothers), Nicolette Larson (who had a number one single with Neil Young’s “Lotta Love”), Linda Ronstadt (who has ten Grammys, two ACM awards, an Emmy, and multiplatinum albums), Russ Kunkel (of the famous studio-musician powerhouse “The Section”), and Henty Diltz (who was in the Phil Spector produced Modern Folk Quartet and is an extremely accomplished music photographer).

Now, for the first time, Stewart’s critically loved but publically unrecognized solo material is available for digital purchase. Check out Bomb Away Dream Babies and Dream Babies Go Hollywood to hear what you’ve been missing.

john stewart 1 Digital Digging: John StewartArtist: John Stewart
Title: Bomb Away Dream Babies
Label: Margate Entertainment
Genre: Pop : Pop
UPC: 885444448911
Territory: World
Release Date: 09.10.10

John Stewart 2 Digital Digging: John StewartArtist: John Stewart
Title: Dream Babies Go Hollwood
Label: Margate Entertainment
Genre: Pop : Pop
UPC: 885444448928
Territory: World
Release Date: 09.10.10