Just Encoded: Y La Bamba

July 28th, 2010 View Comments

ylabamba Just Encoded: Y La Bamba

(c) Alicia J. Rose

Artist: Y La Bamba
Title: Lupon
Label: Tender Loving Empire
Genre: Indie : Roots
UPC: 751937386629
Territory: Worldwide
Release Date: 09.28.10

With Y La Bamba, Luzelena Mendoza draws from both her strict Catholic upbringing as an only daughter of a Mexican immigrant and a debilitating illness that led her to fall away from her faith, to create what LA Weekly calls “Devendra Banhart-influenced art-folk with hazy femme vocals and traditional Mexican sounds.”

Luzelena grew up spending her summers on a farm in California’s San Joaquin Valley. It was in these strong Mexican communities that she would soak up the melodies and the stories that were being told while, as she remembers it, “the men with tassel hats” strummed their guitars and sang their traditional folk songs in three part harmonies.

With a raw songbook of home recordings under her belt and a new group of musicians to help Mendoza with her musical vision, Y La Bamba began to captivate audiences. Eventually, Y La Bamba would attract the attention of The Decemberists guitarist, Chris Funk, who offered his production skills for the band’s first studio recording. Funk worked tirelessly to capture Y La Bamba’s rustic tones, songs inspired by the traditional tunes of Mendoza’s childhood, and her signature vocals that resemble the sounds spilling out of a 1930’s Victrola. Dubbing the confidently stunning body of songs Lupon (after a nickname that Mendoza’s father despised), Y La Bamba has emerged from the studio, ready to wow listeners everywhere. Lupon is an album ripe with sweeping, symphonic, complex yet airy female led indie-art-folk rock with breathtaking harmonies and some traditional Mexican flare.

For a preview of Lupon and to hear Luzelena’s signature voice, check out “Juniper,” the beautifully haunting song that was also featured by Spinner (and countless others!) as a free download.

From the tripwire: “Opening line My temple has been compromised/ I was meant to rise/ six feet above my bed takes on a heavy meaning when you know Y La Bamba singer Luz Elena was inspired by a loss of her Mexican Catholic faith after becoming incredibly ill. Can’t help but think of Frida Kahlo, who poured her own sick-frustration into a similar vein of haunting, surreal art, reflecting the overwhelming desire to escape the confines of one’s own physicality. And speaking of rising, Elena’s voice floats like some kind of cirrus cloud over the oceanic psych-folk tones on “Juniper,” where religious imagery weighs heavy on her psyche but can’t keep her spirit down. The Portland native’s forthcoming, gorgeous full-length, Lupon (produced by The Decemberists’ Chris Funk and out September 28 on Tender Loving Empire), completes the song cycle, offering personal deliverance where the church could not.”

y la bamba Just Encoded: Y La Bamba
Y la Bamba
download icon Just Encoded: Y La Bamba “Juniper” (mp3)
from “Lupon”
(Tender Loving Empire)

icon landing page Just Encoded: Y La Bamba More On This Album

 Just Encoded: Y La Bamba

  • Share/Bookmark

Featured Artist: Novos Baianos

July 27th, 2010 View Comments

baianos Featured Artist: Novos BaianosArtist: Novos Baianos
Title: Acabou Chorare
Label: Som Livre
Genre: Brazilian : MPB (Brazilian Popular Music)
UPC: 7891430050221
Territory: World ex. Brazil
Release Date: 07.26.10

The year was 1972 and, at that time, all the Novos Baianos’ members – Pepeu Gomes, Baby Consuelo, Moraes Moreira, Luiz Galvão, Paulinho Boca de Cantor, Dadi and Jorginho – lived at the same place: a house at a Rio de Janeiro suburb that looked much like a hippie commune. After releasing an acclaimed but not very commercially successful album, the band used to spend their days at this place happily, playing soccer under the sun and raising their children freely. You can add to that their “godfather” João Gilberto and his family. It was in this warm climate that was born the loveliest masterpiece of the group and one of the most beautiful moments of Brazilian music: “Acabou Chorare”.

The record – heralded as “the greatest Brazilian record of all time” in a Rolling Stone feature -  shows a perfect synthesis between traditional and modern, rock and Brazilian rhythms like Samba and Frevo, all married in the poetry of Galvão and the fantastic arrangements by Pepeu, a musician with an impressive repertoire on acoustic and electric guitar and ukulele.

The album opens with the classic “Brasil Pandeiro”, a samba written by Assis Valente that became a radio hit in the 40’s with Carmen Miranda, and continues with the delighful “Preta, Pretinha” written and gently sung by Moraes Moreira, a song that casts an irresistible atmosphere of brotherhood: “Opens the door and the window / and come to see the sunrise….”. Baby Consuelo sings exuberantly, and shows mix of strength, softness and sensuality in songs like “Tinindo, Trincando” and “A Menina Dança”. The disc closes with a smaller version of “Black, Pretinha.

It’s unclear if the group knew what they were achieving and that’s the most interesting fact about the record: it’s effortless; it simply exists in its time and grace. Beautifully.

  • Share/Bookmark

Digital Digging: Calypso music

July 26th, 2010 View Comments

Calypso music is widely associated with the song “Day-O” by Harry Belafonte and although he popularized the genre, his song is actually a watered down version of calypso. Traditionally, calypso is Afro-Caribbean music that was born in Trinidad by the African slaves and French creole workers. What makes calypso special is that it has very global roots. Trinidad was ruled by the British, French, and Spanish which resulted in a fusion of European folk music with African rhythms that make up the calypso sound. Calypso lyrics were used to spread news around Trinidad during World War I, and are therefore very political. However due to forced censorship, the meaning behind the lyrics is artfully hidden. Here at IODA, the wonderful label Spunky Monkey (run by famous DJ Irwin Chusid) has provided us with loads of calypso music. Most notably by Lord Kitchener (one of the most famous and long-lasting calypso singers), The Duke of Iron (the notoriously humorous calypsonian), and Wilmoth Houdini (one of calypso’s great pioneers).  Check these babies out:

calypso Digital Digging: Calypso musicArtist: Lord Kitchener
Title: Calypso Kitch
Label: Radiophone Archives
Genre: Latin : Caribbean
UPC: 032500234005
Territory: World
Release Date: 03.17.09

Lord Kitchener was known as the “Grandmaster” of calypso. By the time of his death, only the Mighty Sparrow and the Roaring Lion had reached a similar level of respect. For over a half century, he was widely admired for his musicianship, compositions, performance ability and overall support for the calypso tradition. On ten occasions he won the “Road March” title (the award for the calypsonian whose song is most frequently played on the streets during Trinidad’s Carnival). For decades, Kitchener remained a favorite calypsonian among steelbands, due to the catchy melodies and harmonic complexity of his compositions. Calypso Kitch is a fine 1966 LP of his humorous, topical, and trenchant calypso observations, recorded during Kitchie’s prime.

calypso2 300x300 Digital Digging: Calypso musicArtist: The Duke of Iron
Title: The Duke of Iron: The Early Sides
Label: Radiophone Archives
Genre: Caribbean : Reggae
UPC: 032509762295
Territory: World
Release Date: 05.15.10

The Duke of Iron (born Cecil Anderson) was a well-known calypsonian, nightclub and concert entertainer, and recording artist from the 1930s through the 1960s. He was renown for his bawdy humor, crisp diction, and confident vocal mannerisms. His clarity in pronouncing English lyrics helped him achieve tremendous popularity with American audiences. In addition to singing, Anderson played cuatro and was an exceptional pianist. This is a collection of his early recordings from the 1930s and ’40s, some with the Caribbean-styled big band Felix & His Krazy Kats. Anderson was a native of Trinidad, and moved with his family to New York in 1923. In the 1930s he was a featured vocalist with Felix & His Krazy Kats. He became a headliner on the New York club scene, which included a ten-month stint at the Village Vanguard in the 1940s. He also participated in the legendary 1946 Calypso At Midnight concerts produced by Alan Lomax at New York’s Town Hall auditorium. Anderson was notorious for humorous, ribald calypsos, like “I Left Her Behind For You,” “Miss Constance,” “The Naughty Fly,” and “The Postman.” During the 1950s and 1960s, he performed at Carnegie Hall, the Apollo Theater in Harlem, and at many leading nightclubs, such as the Village Gate, the Jamaican Room and the Calypso Room. He appeared in the film Calypso Joe in 1957 with Angie Dickinson. He regularly returned to Trinidad to keep up with current trends in calypso, and performed and recorded many annual Carnival hits.

calypso3 Digital Digging: Calypso musicArtist: Wilmoth Houdini
Title: Rum and Coca-Cola
Label: Radiophone Archives
Genre: Caribbean : Reggae
UPC: 032509384565
Territory: World
Release Date: 05.15.10

“The Great Houdini,” like his namesake, was a magician, albeit with words and music. Frederick Wilmoth Hendricks made numerous recordings as “Wilmoth Houdini” (and sometimes as “King Houdini”) from the 1920s through the 1940s. His version of “Rum and Coca-Cola” is often considered the definitive take on this classic tune (later a hit for the Andrews Sisters), and his 1946 composition “Stone Cold Dead in the Market (He Had It Coming)” was a hit for Louis Jordan and Ella Fitzgerald. His 1940s novelty song “Bobby Sox Idol” tries to convince a young singer named Frank Sinatra that he “has the perfect voice to sing calypso.” Houdini was popular in the Caribbean and in New York, where he performed often and lived for many years.

  • Share/Bookmark

Music Video Round-Up: Broken Social Scene, Asleep at the Wheel, Grand Mal, Moe Pope, and Rachael Sage

July 23rd, 2010 View Comments

For your viewing pleasure, here are this week’s videos. We have a great instrumental pop-culture video from Broken Social Scene, a twangy in-studio performance with commentary from Asleep at the Wheel, a personal acoustic video by Grand Mal, a hip-hop video of two of Moe Pope’s songs, and a catchy video from Rachael Sage. Enjoy!

Broken Social Scene – “Meet Me in the Basement”

Asleep at the Wheel – “It’s a Good Day”

Grand Mal – “Lower Yer Heart”

Moe Pope (feat. Rain) – “Godzilla/Rock Me”

Rachael Sage – “Big Star”

  • Share/Bookmark

Oriol’s “Night And Day” is Beatport’s Album Of The Week

July 22nd, 2010 View Comments

Oriol Oriols Night And Day is Beatports Album Of The WeekPlanet Mu recording artist Oriol’s new record Night and Day is currently a featured release on Beatport the recognized leader in electronic dance music downloads. Congrats to Oriol and Planet Mu on this difficult achievement.

On his debut full-length Night and Day, Barcelona-born, Britain-based producer Oriol Singhji connects the dots between his musical interests. From drum ’n’ bass and dubstep to the ’70s fusion and experimentation of Herbie Hancock and Stevie Wonder to the lush house of Theo Parrish, Larry Hearrd and Recloose, the album incorporates a wide variety of influences into a singular style that’s exuberant and fresh.

326077 72 Oriols Night And Day is Beatports Album Of The WeekArtist: Oriol
Title: Night And Day
Label: Planet Mu
Genre: Electronic : Dance
UPC: 600116827524
Territory: World
Release Date: 07.19.10

  • Share/Bookmark

IODA Artists on La Blogotheque

July 22nd, 2010 View Comments

by: Chelsea Bassler

If you have never visited La Blogotheque, you must do so immediately. This French website is a haven for music lovers. It is run by numerous bloggers whose slogan – “Musique, partage sont deux mots qui vont très bien ensemble” – means “Music, sharing are two words that go very well together.” The site is all about bringing music to the public. The best part of La Blogotheque (in my opinion) are Les Concerts À Emporter or, The Take Away Shows. These are live videos of artists performing in every day locations; in the streets, under bridges, in supermarkets, and even in a cable car. The videos are unedited with the goal being “to try and capture instants, film the music just like it happens, without preparation, without tricks.” It is live music in its purest form. A handful of IODA artists have been invited to play a Take Away Show and today we wanted to bring you some of their performances. To read the entire feature, click on the artist’s name. Here’s to raw and flat-out great music!

Delta Spirit – “Trashcan”

download icon IODA Artists on La Blogotheque “Trashcan” (mp3)
from “Ode to Sunshine”
(ROUNDER RECORDS)

icon landing page IODA Artists on La Blogotheque More On This Album

 IODA Artists on La Blogotheque

Phoenix - “Long Distance Call” from It’s Never Been Like That

Megafaun - “Tides” from Gather, Form & Fly

Megafaun
download icon IODA Artists on La Blogotheque “The Fade” (mp3)
from “Gather, Form & Fly”
(Hometapes)
service icon 4 IODA Artists on La Blogotheque Buy at iTunes Music Store
service icon 426 IODA Artists on La Blogotheque Buy at Amazon MP3
icon landing page IODA Artists on La Blogotheque More On This Album

 IODA Artists on La Blogotheque

Plants and Animals – “Feedback in the Field” from Parc Avenue

Read the rest of this entry »

  • Share/Bookmark

Gonzalo Ruiz Featured in Wall Street Journal

July 21st, 2010 View Comments

This week the Wall Street Journal published an article highlighting AVIE Records artist Gonzalo Ruiz’s release, Bach: Orchestral Suites for a Young Prince. Ruiz is an accomplished oboe player and for this release he transposed Bach’s ur- versions of the suites to an oboe-friendlier key. Helping him restore the songs was fellow Julliard colleague Monica Huggett’s Ensemble Sonnerie. This notable release was nominated for a Grammy in 2009, and the Wall Street Journal states that “Mr. Ruiz’s achievement transcends even Bach’s masterpiece.” Recently Ruiz and Huggett – accompanied by the Portland Baroque Orchestra – performed Bach’s four suites, resulting in “a raucous standing ovation complete with whoops, shouts and whistles”. This album is truly a landmark piece of classical music, so give it a listen to experience Ruiz’s beautiful oboe: “the electric guitar of the 18th century.”

bach Gonzalo Ruiz Featured in Wall Street Journal Artist: Monica Huggett
Title: Bach: Orchestral Suites for a Young Prince
Label: AVIE Records
Genre: Classical : Orchestral
UPC: 822252217124
Territory: World ex. Europe
Release Date: 04.21.09

Monica Huggett, Ensemble Sonnerie, Gonzalo X. Ruiz
download icon Gonzalo Ruiz Featured in Wall Street Journal “Orchestral Suite No. 2 in a Minor, BWV 1067″ (mp3)
from “Bach: Orchestral Suites for a Young Prince”
(AVIE Records)

service icon 4 Gonzalo Ruiz Featured in Wall Street Journal Buy at iTunes Music Store
service icon 426 Gonzalo Ruiz Featured in Wall Street Journal Buy at Amazon MP3
icon landing page Gonzalo Ruiz Featured in Wall Street Journal More On This Album

 Gonzalo Ruiz Featured in Wall Street Journal

  • Share/Bookmark

Featured Artist: Asleep at the Wheel and Leon Rausch

July 20th, 2010 View Comments

It's a Good DayAsleep at the Wheel, Leon Rausch
download icon Featured Artist: Asleep at the Wheel and Leon Rausch “Truck Driver’s Blues (feat. Willie Nelson)” (mp3)
from “It’s a Good Day”
(Bismeaux Records)
service icon 4 Featured Artist: Asleep at the Wheel and Leon Rausch Buy at iTunes Music Store
icon landing page Featured Artist: Asleep at the Wheel and Leon Rausch More On This Album
 Featured Artist: Asleep at the Wheel and Leon Rausch

Asleep at the Wheel are a group of musicians who have single-handedly kept the timeless and spirited genre of swing-country alive for the past 40 years. Anyone with a proper knowledge of country music’s last few decades would enthusiastically praise this six-piece’s talent, and that’s before mentioning their nine (nine!!) Grammy Awards. Comprised of some of country’s finest musicians, The Wheel have built themselves a legacy of fantastic work and continue to impress, never ceasing to make new music and tour.

Fronted by Ray Bensen, the band is comprised of six other top notch singer-musicians who rotate on vocal duty and harmony. On their newest album, It’s a Good Day, they teamed up with legendary vocalist Leon Rausch, who was one of Bob Wills’ Texas Playboy vocalists. He joined Wills in the late 50′s and his stellar vocal stylings were on par with the greats that preceded him, such as Tommy Duncan, Joe Frank Ferguson and Rusty MacDonald. Rausch has known The Wheel for over 38 years: when they first met in the early 70′s, Leon would sit in with the group. More importantly, at jam sessions he helped teach The Wheel the right way to play this great music. Rausch’s most infamous contribution is his arrangement of their famous version of “Get Your Kicks (on Route 66),” the band’s most popular song. He suggested to Floyd Domino that they take the venerable standard and put a signature boogie-woogie beat to the song.

Leon is 82 years old now but still sports a great voice and sings regularly at western swing events all over Texas, Oklahoma and the world. The song selections for this recording range from Bob Wills classics to Count Basie tunes and jazz standards. The title track is a swingin’ version of Peggy Lee’s famous pop hit (with the Wheel’s signature country twist of course) and throughout the album, Leon shares duets with the band members, as well as the legendary Willie Nelson (with whom the Wheel did their previous record)!

This is some fantastic country music folks; you just can’t find tunes done this well anymore. Be sure to check out It’s a Good Day and hear what 40+ years of experience sounds like!

  • Share/Bookmark
Pages: Prev 1 2 3 4 5 6 7 8 ...56 57 58 Next