Posts Tagged ‘Jeff Buckley’


Review: Tim Buckley

Wednesday, August 26th, 2009

Tim bUckley Review: Tim BuckleyArtist: Tim Buckley
Title: Live at the Folklore Center, NYC – March 6th, 1967
Label: Tompkins Square
Genre: Folk : Folk-Rock
Release Date: 8/25/09
UPC: 894807002189
Territory: Worldwide

Nearly 34 years after his tragic death, a live recording of folk legend Tim Buckley (also father of the late Jeff Buckley) will finally reach fans’ ears when Live at the Folklore Center, NYC – March 6th, 1967 is released on August 25th on NYC’s Tompkins Square label. This record marks the earliest official release of any Buckley live album. The entire night’s concert, performed in front of a very small audience, is presented in its original running order of 16 songs, featuring mostly tracks off Buckley’s 1966 self-titled debut and his 1967 follow-up Goodbye and Hello. The live recording also contains six Buckley compositions that have never before been released on any studio or live album: “Just Please Leave Me,” “What Do You Do (He Never Saw You),” “If The Rain Comes,” “Cripples Cry,” “Country Boy” and “I Can’t Leave You Loving Me.”

The live set was recorded by folk impresario Izzy Young at the Folklore Center, the Greenwich Village club that was a fertile ground for folk acts in the 1960′s, including a young Bob Dylan. Listeners will first notice the show’s very intimate nature, as it’s approximated that around 35 people were in attendance that night. While the sound of the tapes surely captures the emotive singer in a raw state, it’s not to say some mastering wasn’t done. Grammy-winning engineers Steve Rosenthal, Warren Russell-Smith and Jamie Howarth all worked on getting the sound up to par, while keeping the original running order of the show. The recording suffered from the usual suspects: hiss/tape noise, drop outs, hums, outside noises and a girl coughing, all of which were addressed and properly corrected to create a lucid, true reproduction of this powerful performance. The end result is a highlighting his magical guitar playing and soaring vocal style.

Warren-Smith told Billboard magazine that when listening to this show, Buckley’s energy is quite apparent despite the small audience he was playing for. “It’s fast and furious, he doesn’t dwell too much in between tracks and once he’s into a song it’s all emotion from there on in.”

While Buckley only lived to 28, his output was quite prolific in the short time he was performing and recording. He was among the most adventurous and influential singer-songwriters of the `60′s and `70′s, releasing nine studio albums in his career before his untimely death in 1975.

Take a listen to the voice that captivated and inspired a generation of folk singers; it’s just as potent today as it was in 1967.

Featured Artist: Chris Garneau

Monday, July 6th, 2009

featured release big Featured Artist: Chris Garneau

By: Mike Madavi

chris garneau Featured Artist: Chris GarneauArtist: Chris Garneau
Title: El Radio
Label: Absolutely Kosher
Genre: Indie : Pop-Folk
Release Date: 7/7/09
UPC: 653225008322
Territory: Worldwide (Minus Europe, China, Japan, Taiwan)

El Radio is the second full length EP from Brooklyn singer –songwriter Chris Garneau. A talented composer, pianist, and vocalist, Chris’s debut album, 2006’s Music for Tourists harbored considerable critical acclaim for his distinct blend of indie-folk, pop, and baroque music. Garneau plays the piano live but maintains a tight auteur hand over all the elements of his music. A former student of the heralded Berklee College of Music in Boston, he left after completing one term and moved to New York to write music and perform in the East Village and Lower East Side of Manhattan at legendary venues including CBGB’s and the Living Room. Garneau could have easily been Broadway-bound (an element of his character that is fully expressed in the theatrical nature of his songs) having secured a role in the production of Spring Awakening, but decided instead to embark on a solo career. As an out musician, Chris has been featured in prominent gay publications such as NewNowNext.com and Queerty.com to compliment his critical praise from music-oriented media.

Currently signed with Emeryville, CA-based Absolutely Kosher Records, Garneau was recruited to the label by Jamie Stawrt and Caralee McElroy of experimental indie warriors Xiu Xiu. His singles from the first record found their way to the soundtracks of Grey’s Anatomy and Private Practice, two of the medical shows whose soundtracks have managed to bump artists from obscurity to popular recognition (remember how “New Slang” by the Shins was on Scrubs before Zach Braff heard it and used it in Garden State?). Citing Jeff Buckley, Nina Simone, Nico, and Cat Power’s Chan Marshall as influences, his new album hones in on the sound Garneau has become widely and rightly recognized for. He recently described the new album’s overall changes from Music for Tourists in an interview with NewNowNext: “There’s a lot more instrumentation, a lot of horn arrangements…less piano. There are drums and percussions on more than half of the record. I think there’s only one or maybe two songs that are piano-vocal. It’s a lot more produced than the first.”

El Radio begins with the heart-wrenching opener “The Leaving Song” which begins in melancholy strings gently warming you up for what promises to be a personal and moving musical journey. When his voice first appears, the listener can instantly dissect pain, wisdom, and youth from his unique vocal style (punctual, relying on short blasts of emotion rather than long, drawn out pulls). “Dirty Night Clowns” exhibits his more theatrical, circus-esque side. The album’s most full and memorable moment arrives with the piano-ballad “Home Town Girls,” a down-tempo folk number that shines with well-used harmonica and brush drumming behind a lovely vocal harmony. Overall, the album is filled with quiet, personal moments that reveal how sensitive Garneau is, as well as his musical talent. Definitely someone on the up and coming.